There's only one way to stop a mad watch...

Kelly Charlesworth

"I’ve never seen anybody change so much in front of a camera as Audrey. In life, you’d think ‘How is she going to get through the day or even the hour?’ Her hands were shaking, she’s smoking too much, she’s worried, she’s being kind of desperately nice to everybody, she’s so fragile… But between the time she stepped in front of the camera and you said ‘Action!’, something happened. She pulled it together. A kind of strength through vulnerability - strength like an iron butterfly… The performance was true, never weak, always strong and clear. It was an amazing thing to watch, this professional completely in charge of her instrument without even thinking about it. I think it was all second nature." 
Peter Bogdanovich

"I’ve never seen anybody change so much in front of a camera as Audrey. In life, you’d think ‘How is she going to get through the day or even the hour?’ Her hands were shaking, she’s smoking too much, she’s worried, she’s being kind of desperately nice to everybody, she’s so fragile… But between the time she stepped in front of the camera and you said ‘Action!’, something happened. She pulled it together. A kind of strength through vulnerability - strength like an iron butterfly… The performance was true, never weak, always strong and clear. It was an amazing thing to watch, this professional completely in charge of her instrument without even thinking about it. I think it was all second nature." 

Peter Bogdanovich

(Source: missingaudrey, via astairical)

Imagine everything you ever wanted shows up one day and calls itself your life. And then just when you start to believe in it - gone. And suddenly it gets very hard to imagine a future. That’s depression, right?

Side Effects (2013) dir. Steven Soderbergh (via insanity-and-vanity)

(via insanity-and-vanity)

We’re all pretty bizarre. Some of us are just better at hiding it, that’s all.

—Emilio Estevez in The Breakfast Club (via glamour)